JUNYA WATANABE SPRING 2015 READY-TO-WEAR
in Junya Watanabe's collection for Spring 2015 we could be found graphic girls as living dolls and clothes as futurism.
This collection shown us something much more abstract in many of its circular shapes, volumes, and constructions was here turned into "graphic marching." Those are the latest words of the designer that defining it.
In many ways that idea of graphic marching ties in with the thought of the "machine-age" woman of the first half of the last century and here she was almost like the literal incarnation of the poster girl wearing flattened vinyl circular forms and experimental compositions and marching ever forward.
This collection shown us something much more abstract in many of its circular shapes, volumes, and constructions was here turned into "graphic marching." Those are the latest words of the designer that defining it.
In many ways that idea of graphic marching ties in with the thought of the "machine-age" woman of the first half of the last century and here she was almost like the literal incarnation of the poster girl wearing flattened vinyl circular forms and experimental compositions and marching ever forward.
I think The collection is art, not fashion.
The clothes was made from many materials, like plastic, leather, denim or even latex, it was all about geometric shapes, bold colours, and the head covers. think that it was a amazing break-routine off the “wearable” Paris Fashion Week part.
The clothes was made from many materials, like plastic, leather, denim or even latex, it was all about geometric shapes, bold colours, and the head covers. think that it was a amazing break-routine off the “wearable” Paris Fashion Week part.
Watanabe is genius at pass from hot to cold, from monochrome to color, or from the conceptual to realism.
The clothes on the models were a beauty representation of living abstraction, circles intersecting and creating new shapes. Skirts were definitely of a circular cut. Shoulder curves gave way to triangular shapes or pointier slashes of space.
Plastics and leathers gave way to colorful fabric.
I love the work wich come from Japan, but I think that Junya is a real artist because he neve do the same
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